Alexandra P. Struyskaya (1754-1840) - the second wife of the amateur poet N.E. Struyskiy, the owners of Ruzaevka estate, where he established exemplary print factory. In this intimate portrait, it is not so much important for artist to depict a specific state of the model, but rather reflection of wealth and beauty of her inner world.

Barbara Ermolaevna Novosiltsova (1760-1815) - graduate of Smolny Institute and daughter of Russian dignitary and statesman. Oval shape of portrait format is inherent to Rokotov works of 1780's. Rokotov was the first Russian painter, who in his works primarily focuses on the emotional, spiritual side of human personality.

Portrait of Catherine II (1729-1796) during Coronation, combines the best traditions of ceremonial imperial portraiture of the first half of XVIII century and the new trends and new ideas of that time that emerged under the influence of an enlightened monarch. It was not characteristic for the traditional parade portrait of that time to present Empress in profile, nevertheless, it was well known that Empress was very proud of her profile, and thought that it was similar to the images depicted in antique cameos. Catherine II considered the portrait to be of one of the most successful of her many images.

Artemiy Ivanovich Vorontsov (1748-1813) - Count, distant relative and godfather of Alexander Pushkin - renown Russian poet . Contemporaries noted the peculiarity of Rokotov's talent, his ability "to penetrate into the inside of the soul". The artist merely outlines the general features of the model's face, and rather spotlights poetical interpretation of emotional and spiritual side of the person on canvas.